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Anna presented at the 2012 Artios Awards for The Casting Society of America at The Beverly Hilton Hotel October 29th, along the likes of Ben Affleck:

Appearances & Events > 2012 > October 29: 2012 Artios Awards

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A month ago there was a reading for ‘Into the Woods’, a movie based on Broadway legend Stephen Sondheim’s fairytale musical. Anna read for the role of Cinderella, and Meryl Streep is in talks to star at The Witch. While there is not any official word of Anna’s definite involvement yet, it sure looks promising :D!

As reported back in June, Rob Marshall has made Stephen Sondheim‘s INTO THE WOODS his next project at Warner Bros/Disney – and a starry reading just has kicked the project off.

BroadwayWorld has confirmed that the cast of the screenplay reading, which took place yesterday, included (in alphabetical order): Nina Arianda as The Baker’s Wife; Christine Baranski as the Stepmother; Tammy Blanchard as Florinda; Victoria Clark as Cinderella’s Mother/Giant; James Corden as the Baker; David Garrison as the Narrator; Ivan Hernandez as the Wolf; Megan Hilty as Lucinda; Cheyenne Jackson as Rapunzel’s Prince; Allison Janney as Jack’s Mother; Anna Kendrick as Cinderella; Michael McGrath as the Steward/Baker’s Father; Donna Murphy as the Witch; Laura Osnes as Rapunzel; Taylor Trensch as Jack; Casey Whyland as Little Red Riding Hood; and Patrick Wilson as Cinderella’s Prince.

The cast for the film has not yet been announced, but BroadwayWorld has learned that stage and screen legend Meryl Streep is in talks to join the film as the Witch, but was unable to make the reading.

James Lapine, the original book writer of INTO THE WOODS, is reworking the script for the screenplay, while Sondheim is expected to contribute some new songs.

Marshall’s films have been honored with a total of 23 Academy Award nominations – winning nine, including Best Picture. His most recent film, “Pirates of the Caribbean: On Stranger Tides” starring Johnny Depp and Penelope Cruz, has grossed over one billion dollars at the worldwide box office becoming the “8th Highest Grossing Picture in History.” He is currently developing “The Thin Man” starring Johnny Depp.

Marshall’s film “Nine” was nominated for four Academy Awards, five Golden Globes and 10 Critics Choice Awards. His previous directorial efforts include the Academy Award-winning films “Chicago” and “Memoirs of a Geisha.” For his work on “Chicago,” winner of six Oscars including Best Picture, Marshall received the Directors Guild Award, an Oscar nomination, a Golden Globe Award nomination, a BAFTA nomination, The National Board of Review Award and the New York Film Critics Online Award, both for best directorial debut, as well as the American Choreography Award. His epic film “Memoirs of a Geisha” was the winner of three Oscars, three BAFTA Awards and a Golden Globe. Both “Memoirs of a Geisha” and “Chicago” were nominated for CAS Awards.

Marshall executive produced, directed and choreographed the NBC television event “Tony Bennett: An American Classic.” He won his second Directors Guild Award for this production as well as three Emmy Awards himself for Direction, Choreography and Outstanding Variety, Music or Comedy Special. He directed and choreographed Disney/ABC’s critically acclaimed movie musical “Annie,” which received 12 Emmy nominations, a CAS nomination and won the prestigious Peabody Award. Former CAS President Edward L. Moskowitz commented, “It was to great to work with Rob Marshall on “Annie”. Rob’s depth of experience in live entertainment enhanced his inspirational leadership on the set and I am proud that the Cinema Audio Society has decided to honor him with our Filmmaker Award.”

A six-time Tony Award nominee and George Abbott Award winner, Marshall’s stage work includes co-directing and choreographing the worldwide award-winning Broadway production of “Cabaret” and directing and choreographing the Broadway revival of “Little Me,” starring Martin Short. He made his Broadway choreographic debut with “Kiss of the Spider Woman,” directed by Harold Prince, which also played London’s West End and Vienna. He followed that with productions of “She Loves Me” on Broadway and London; “Damn Yankees” on Broadway, National Tour and London; Blake Edwards‘ “Victor/Victoria” on Broadway; “A Funny Thing Happened on the Way to the Forum” on Broadway; “Company” on Broadway; “The Petrified Forest” at the New York Public Theatre, and “Promises, Promises” for City Center Encores! Additional choreography credits include the Disney/ABC movie musical “Cinderella” (Emmy nomination), the CBS movie musical “Mrs. Santa Claus“(Emmy nomination), and The Kennedy Center Honors (Kander & Ebb and Chita Rivera tributes). {}

Anna will star in a new movie called “The Last Five Years”! Here’s what we know about it so far:

  • Based on Robert Jason Brown’s play that fixes on the ups and downs of a relationship
  • It will be adapted and directed by Richard LaGravenese (P.S. I Love You)
  • Anna will play Cathy, a struggling young actress, and an yet-to-be cast actor as her novelist husband Jamie.
  • The film chronicles the duo’s relationship – the meet, the break-up, the make-up, the nuptials… all through comedic songs sung by the actors.
  • The film will be a musical, and Cathy and Jamie do not directly interact except for a wedding song in the middle as their timelines intersect.

Exclusive : Anna Kendrick to star in musical The Last 5 Years

The film mightn’t have set the box office aflame like many predicted it would (based on those early word-of-mouth screenings that the distributor participated in; though “Scott Pilgrim vs. The World” used the same playbook, and also tanked upon release) but Uni’s “Pitch Perfect” ostensibly proved Anna Kendrick – the “Twilight” castie who went on to snag an Oscar Nomination for her part as George Clooney’s young, impressionable but ultimately threatening competition in “Up in the Air” – could hold her own in a feature that’s music-heavy. As such, the versatile young thesp has snagged the lead role in another lyrical-friendly feature, “The Last Five Years” – this one, however, is an out-and-out musical.

The Richard LaGravenese (“P.S, I Love You”) adapted and directed “Last Five Years”, one of the many intriguing projects being stumped at next week’s AFM, is based on Robert Jason Brown’s acclaimed Chicago-born play of the same name, that fixes on the ups and downs of a relationship. The show, inspired by the playwright’s own personal life, used a form of storytelling in which the young woman’s story is told in reverse chronological order (beginning the show at the end of the marriage), and the male’s is told in chronological order (starting just after the couple have first met). The characters did not directly interact except for a wedding song in the middle as their timelines intersect.It was all quite genius.

Kendrick will star Kendrick as Cathy, a struggling young actress, and an yet-to-be cast actor as her novelist husband Jamie. The film chronicles the duo’s relationship – the meet, the break-up, the make-up, the nuptials… all through comedic songs sung by the actors.

Kendrick, next in “The Twilight Saga : Breaking Dawn Part 2″ (the ticket sales of which will likely make up for the poor performance of “Pitch Perfect” – which, I believe, will likely find more of an audience on DVD and Blu-ray), will sing such tunes as “Still Hurting”, “See I’m Smiling” and “I Can Do Better Than That” in the pic.

“Last Five Years”, housed with The Exchange (Denzel Washington/Mark Wahlberg starrer “Two Guns”), will be pimped in Santa Monica at the end of the month. {}

New outtakes from Anna’s 1883 magazine shoot are now out. Anna looks absolutely glowing in the snaps by famed fashion photographer Miranda Penn Turin:

Photoshoots & Press > Photo Shoot Sets > Miranda Penn Turin for 1883 Magazine (August 2012)

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Anna attended The Launch Of “Rachel Zoe’s ‘Major Must Haves’ from Jockey at Sunset Tower in West Los Angeles October 16th.

Appearances & Events > 2012 > October 17: The Launch Of “Rachel Zoe’s ‘Major Must Haves’

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Anna Kendrick, Jaime King, and Mandy Moore attend Rachel Zoe’s Major Must Haves Launch Party held at The Sunset Tower Hotel on Wednesday (October 17) in West Hollywood, Calif.

The three actresses were joined by Jaime‘s hubby Kyle Newman, the designer herself Rachel Zoe with her husband Rodger Berman as they celebrated her new line from Jockey.

“Celebrating my @jockey major must-haves with the team!,” Rachel wrote on her Twitter account. “OMG how maj does @jaime_king look tonight?! She’s everything.”

FYI: Mandy is wearing a Lela Rose dress and Christian Louboutin shoes. Jaime is wearing head-to-toe Dior and a Jason Wu bag. Anna is wearing a Rebecca Minkoff top and clutch, Rachel Zoe shoes, and Goldsign jeans {}

Anna was at Appearances & Events > 2012 > October 15: ELLE’s 19th Annual Women In Hollywood Celebration at the Four Seasons Hotel Los Angeles at Beverly Hills October 15th. She spoke in front of a crowd consisting of stars like Cate Blanchett, Viola Davis, Susan Surandon, Kristen Wigg, Emma Stone and Anna’s “new BFF” Emma Watson.

Appearances & Events > 2012 > October 15: ELLE’s 19th Annual Women In Hollywood Celebration

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Anna attended the Mr. Pink Ginseng Drink Launch Party at Regent Beverly Wilshire Hotel in Beverly Hills October 12th. Lindsay Lohan and the Jackson kids were also there.

Appearances & Events > 2012 > October 12: Mr. Pink Ginseng Drink Launch Party

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Anna was at Target’s “Falling For You” Premiere in New York October 10th. The star of the short film – Kristen Bell – was in attendance, as well as actresses like Rose Bryne, Annasophia Robb, and Jill Flint.

Appearances & Events > 2012 > October 10: Target’s “Falling For You” Premiere

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Anna Kendrick and Kristen Bell rub shoulders on the red carpet at Target’s Falling For You event held at Terminal 5 on Wednesday (October 10) in New York City.

The ladies were joined at the party by Rose Byrne, AnnaSophia Robb, Zachary Abel, and Nia Long.

PHOTOS: Check out the latest pics of Anna Kendrick

Head on over to to watch a short film featuring all the celebs showing off Fall fashion available at Target.

FYI: Rose is wearing a Target skirt and Sergio Rossi shoes. Kristen is wearing head-to-toe Target. Anna is wearing jacket and boots by Rebecca Minkoff. AnnaSophia is wearing a Target outfit and Brian Atwood shoes.

Anna Kendrick wants Downton role

Anna Kendrick is desperate for a role on ‘Downton Abbey’.

The 27-year-old actress is a huge fan of many British TV shows but thinks her dream of appearing in the period drama is ‘inappropriate’ as it isn’t likely to come true.

She said: ‘I just watched ‘Game of Thrones’ and the first two seasons of ‘Downton Abbey’. I have the most inappropriate fantasies about being on those shows – there’s not a part for a tiny American girl in either, but I can dream.’

Anna is also a huge fan of UK talent show ‘The X Factor’, and was thrilled when girl group Little Mix won last year.

She added: ‘I have to catch up on ‘Sherlock and ‘X Factor’. I loved that group who won last year, Little Mix. During their first performance I wanted to scream at the TV, ‘Do you guys know that these are really good, really solid vocals.’ ‘

And TV isn’t the only thing Anna loves about the UK – she has ‘cravings’ for English tea.

She told Britain’s ELLE magazine: ‘Every time I go to England the first thing I do is have tea. I crave it to the point where I panic, ‘What am I going to do when I get home? I don’t have a kettle.’ But then the craving disappears – it’s like something’s pumped into the air.’ {}

Witch Pitch Perfect Star Got “All Aguilera”? Anna Kendrick And Brittany Snow Tell All!

Make no mistake, the appeal of Pitch Perfect is mostly in its funny moments — Rebel Wilson, Anna Camp, Adam Devine and others had us clutching our sides — but what makes it a great movie, rather than a collection of jokes, is the fact that the actors playing these college a cappella singers are actually really talented. When VH1 News’ Kate Spencer sat down with Anna Kendrick, who got her start as a kid on Broadway, and Brittany Snow, whose part in Hairspray showed off her singing gift too, she asked if they were nervous to sing for each other when shooting began.

“We bonded really quickly so I think that we weren’t nervous,” Snow said. “I think its just a nerve-wracking thing to sing in a movie in general.”

Kendrick admitted to feeling some pressure, though. “I remember being nervous to get my harmonies right,” she said. “I didn’t want to be the one who was like, ”Uh, Anna’s screwing us up again, thanks!’ … ‘Cause if my note’s wrong, your note’s gonna sound wrong. … Everybody has to be on it, and you have to be that piece of the puzzle, so I definitely felt pressure to learn my music. It wasn’t like we were getting all Aguliera on each other.

“Well, she got a little Aguilera on us,” she added, indicating Brittany, who copped to doing her best Voice judging. “She was like, ‘I would not spin my chair around for that, Anna.’ ”

This kind of teasing in our interview made us think the actors made fast friends on the set, which Anna quickly denied. “We had our personal assistants talk.”

But in all seriousness, Brittany said it was “weird” how easily they all bonded. “It was one of those movies that I think everyone instantly liked each other, which sometimes it takes a long time for people to get each other,” she said. “And we kept thinking somebody in the cast was going to be the person that we didn’t gel with. And it just didn’t happen. We all really bonded instantly, and I think it just was due to being in rehearsals and working together and having to sing and dance, which is not something you can do independently.” {}

Anna Kendrick, Brittany Snow Recall Their ‘Steamy’ Shower

In ‘Pitch Perfect,’ of course: ‘Brittany and I just got real comfortable real quick,’ Kendrick tells MTV News.

In case you need any more reasons to see “Pitch Perfect,” a wholly entertaining ensemble comedy that is expanding in theaters this week, please allow stars Anna Kendrick and Brittany Snow to convince you to purchase tickets with their very drawn-out play-by-play of a steamy shower scene they share in the film.

“The acoustics in there were lovely, for starters,” Kendrick said of their scantily clad encounter, during which her character’s singing in the shower is interrupted by Snow’s character’s insistence that they harmonize on the spot, as one, in the shower stall. “It was steamy and humid and hot, so your voice is all warm and loose and, you know, Brittany and I just got real comfortable real quick, out of necessity.”

Anna Kendrick, Brittany Snow Tease ‘Pitch Perfect’ Shower Scene

“Things got real,” Snow added. “At the beginning, we were trying to be aware of our bits and pieces that were covering things, and then by the end, it just got so weird.”

“It was hot. We were filming for a long time,” Kendrick said.

“We were singing to each other, looking into each other’s eyes,” Snow continued, with a dreamy expression on her face.

The ladies clearly understand the finer points of an upsell and the importance of engaging the straight-male audience, which prompted Kendrick to get creative with her description of what exactly goes down in the scene.

“That scene is, like, 80 percent of the movie,” she teased. “It’s like a Hitchcockian kind of one long take.”

“And more things happen as the scene goes on,” Snow said.

“And then the pizza guy shows up, and we don’t have any money to pay for it, because we’re naked,” Kendrick joked.

“That will get all the guys to come for sure,” Snow concluded. {}

‘Pitch Perfect’ Anna Kendrick: I’ve got Brittany Snow’s body memorized

Anna Kendrick has joked that she has “memorised” Pitch Perfect co-star Brittany Snow’s body.

The actresses had to film a nude shower scene together for the new comedy – an idea which originally made Kendrick uncomfortable, but which she eventually described as “the best day of [her] life”.

Kendrick admitted that she was so nervous about the scenes that she originally hid in corners to change while on set.

“When we started and were disrobing, I was like, ‘I don’t wanna be here, I want to go home, this is awful’,” Kendrick explained during an appearance on Anderson Cooper’s chat show Anderson.

“But by the end of the day, it was hot and humid and [I was used to it]…. by this point, I’ve got [her body] memorized!”

Kendrick can next be seen in political thriller The Company You Keep alongside Robert Redford and Shia LeBeouf.

Anna Kendrick: ‘I lost my hair because of awards stress’

Anna Kendrick has revealed that she found being up for awards in 2010 so stressful that she started losing her hair.

The Twilight actress was nominated for awards including an Oscar and a Golden Globe for 2009 movie Up in the Ar.

Speaking on The Late Show with David Letterman, she said of her nominations: “It was a lot of fun but it was so stressful and I was so terrified, which was weird. I felt like, ungrateful or something. I felt like I shouldn’t be this stressed out. I felt like I was always gonna break out in hives.

“I managed to suppress that… but journalists would always be saying, ‘Aren’t you having the best time? Isn’t this the best time of your life?’ And logically I knew that it was, but my body was telling me that things were getting crazy and I was, like, losing my hair.

“I was pretty stressed out. And then on top of it, you’re getting put in these dresses and people are asking you, ‘What are you wearing?’ I just wanna sleep, that’s what I want.”

Kendrick’s new film Pitch Perfect has been released in the US and will be in UK cinemas from December 21.

Anna Kendrick Talks PITCH PERFECT, Singing Live on Set, Interacting More on Twitter, Her Love of Reddit, and More

Now playing in theaters is director Jason Moore’s great musical comedy Pitch Perfect.  Written by Kay Cannon (New Girl, 30 Rock), the film tells the story of Beca (Anna Kendrick), a goth-like rebellious teen that dreams of being a music producer, but instead finds herself in an all-female a cappella singing group at Barden University.  Led by great performances from the entire cast and fun takes on classic and new songs, Pitch Perfect is definitely worth your time this weekend.  The film also stars Rebel Wilson, Skylar Astin, Adam Devine, Anna Camp, Brittany Snow, John Michael Higgins and Elizabeth Banks.  For more on the film, here are seven clips and all our previous coverage.

At the recent Los Angeles press day I got to sit down with Anna Kendrick for an exclusive interview.  We talked about how she got involved, her reaction to the finished film, the great script, if she was nervous to sing and dance on camera, what it was like to sing live on set, how much changed during production, the rehearsals, The Breakfast Club, what it was like to film in Baton Rouge, End of Watch, TIFF, Twitter (follow Kendrick here), her love of Reddit, and a lot more.  Hit the jump for what she had to say.

Collider:  I’m going to hit you up with some fun stuff, at least I think.  True or false, I’ve heard through the grapevine that it was your interview with Collider for Rocket Science with the guys on the singing acappella on the street in park city that got you this job—

anna-kendrick-adam-devine-pitch-perfect-imageKENDRICK: Oh my god, that is so funny.  You know, over the years I remember the first couple of times running into you after doing that weird video.  That was obviously the first thing we talked about.  But then over the years I didn’t know if you had like, disassociated me with that and forgotten about it.  So that makes me laugh so much, first of all.  And, no, I wonder… No, I’m sure none of the people on this film even know about that.  But yeah, that was kind of amazing.  I don’t have a witty retort to that.  It was just really fun to remember. 

I just wanted to remind you that that did happen years ago.

KENDRICK: Oh, I haven’t forgotten. 

Okay so, I’ll be honest.  I saw this last night.  I thoroughly, thoroughly enjoyed this movie.  I thought it was great.


Obviously when you sign on to something, you hope for the best.


But, what was your reaction when you finally saw it?

KENDRICK: Well, I mean from the get go I understood the potential pitfalls of doing a college movie about singing, and just how badly something like that could turn out.  Kay Cannon’s script was so unbelievably surprising and subversive that, it felt like she was always like ten steps ahead of me.  Just when I was reading a scene where I thought, “Okay, I understand what she’s doing with this character, and I understand where this scene’s going.” You know, she would surprise me and I would be completely won over continually throughout reading the script.  So obviously I knew that the people who were involved in it wanted to make something special and something that rose above what most people would think of when they heard the kind of tagline—or you know not the tagline, the logline, I guess.  So I was really happy that all that humor came across.  And the musical numbers are definitely a guilty pleasure/feel good thing, but they do it.  They get the job done.  I had a great time watching it.pitch-perfect-movie-poster

It was very funny, and I agree with what you’re saying.  Every time I thought it was going to do something it did other things

KENDRICK: I think 30 Rock is one of the greatest shows ever made.  So I could really feel that voice and I think that’s something that 30 Rock does really well where just when you think you know the punch line, it’s something… It once again turns that joke on its head, or that character on its head.

This really showed another side of you in terms of singing, dancing, just a whole bunch of stuff, right?  How intimidating was this gig for you signing on to this?

KENDRICK: I started in musical theater and Camp was a musical movie, so I’ve sung on film before.  But obviously I knew that being the lead in a studio movie was going to be a completely different animal.  Not only was I worried about performing my best, but if things had gone haywire I’m like the face of this movie and I’m singing and dancing all over a total nightmare.  So I was really nervous about that.  I think there were days I would come in a little bit on my back foot, trying to make sure that we were doing service to the intelligence and the wit of Kay’s script. 

But I was excited about singing.  One of the things I was really insistent on was that whenever I’m singing alone in the movie, I’m singing live on set.  Because I think something is a little bit lost in the recording studio, and frankly I’m just not good in the recording studio, like I don’t know how to do that.  I think I’m just, I’m used to singing in front of people and singing in a recording booth was a little isolating and sterile.  So, I was looking forward to the days when I got to sing live.  Somebody would just blow a pitch pipe and then I would do the thing. 

Did you know that on Les Mis they were also singing live?

KENDRICK: I heard that, yeah.  “No Diggity” isn’t exactly Les Mis, but I did my best, yeah.

There’s an audition scene in the movie where you have a little bit of a show number.

KENDRICK: Yeah, that’s actually, that was just a viral video that I found on reddit.  I am a huge fucking loser so I decided to spend an afternoon learning to do that thing with the cups and learning that song.  When they found out that I could do that, they were like, “Oh my god, that’s going in the movie.”  Originally that scene was going to be like “I’m a Little Tea Cup” or something.  It was supposed to be weird and funny and the second that they saw me do that, they were like, “Okay.  That’s your audition song.”

Yeah, it’s real good.

anna-kendrick-rebel-wilson-pitch-perfectKENDRICK: It is fun, I’m glad I got to do it.  It took so long to learn from that video!  Like, I could teach a person to do it pretty quickly.  But when you’re just watching a video of somebody doing it, like not doing it slowly, it took me a long time.

How often are you spending time on Reddit?

KENDRICK: I could get my phone, I’m sure it’s open on my phone right now.  I’m sure it is.

Are you one of these people—because they have pictures, they have videos, they have everything; are you across the board interested in everything?

KENDRICK: Yeah.  Well, when I first got an account I chose my sub-reddits and stuff, but I find more and more I just go to all.  Which ends up I accidentally click on some pretty gross stuff sometimes.  But I’m realizing more and more I just go to reddit-all.

Yeah, I hit that front page every once and a while.  I’m not going to admit how much.  Just once and a while.  Another true or false question: This was an audition for Glee?

KENDRICK: I’ve never seen Glee.




KENDRICK: Never.  I’ve seen like scenes and stuff.  Some of my friends watch it so I’ve like, walked in on watching scenes.

I’m just bullshitting.  I guess my thing is—and this is actually a serious thing—they do something every week on that show.  Now after doing this, to do that every week, are you sort of like “wow”?

KENDRICK: Yeah, I mean even before I did this, the idea of, you know—it’s an hour long right?

It is.

pitch-perfect-cast-image anna kendrickKENDRICK: So, the idea of being in an hour long show where you’re singing and dancing, and you’re not doing it live so that means you’re also spending time in a recording studio outside of your you know twelve hour work days, fourteen hour work days, or whatever.  That seems like cruel and unusual treatment.

Were any of the songs changed in pre-production or was it pretty much you knew what was coming?

KENDRICK: A lot of the songs were different in the original script, but I kind of knew that the songs were place holders.  So I was really excited when I found out that I was singing “No Diggity”, because that wasn’t in the script.  That is my jam and I was really psyched.  The one song that I—this was kind of a last minute change and I was a little hesitant about it because I just don’t have an emotion connection to the song is “Don’t You Forget About Me.”  To me it’s like “Take my Breath Away” from Top Gun, where it’s almost a parody of itself and I didn’t know how to emotionally connect to the song.  So I was a little resistant to it, but I think it’s probably fine.  I kept asking to go back into a recording studio and re-do it, because that was the only time I played it for a friend and they were like,“You don’t even sound like you.” Because I was just kind of singing it by rote.  And I wanted to keep going back and try and make it feel like it’s actually me singing. 

You guys have a lot of group numbers.  Was there one that you especially enjoyed?  Was it the Miley Cyrus on the bus?

KENDRICK: Well, I mean I’m not going to say that “Party in the USA” was my most enjoyable number, but I thought that was such a genius moment for the character.  Because my favorite thing about this character is that she comes into it thinking that she’s too cool for school and fancies herself kind of a badass.  Which she’s really not.  And I liked, at every possible opportunity that I had, showing the cracks in the surface and showing that she’s kind of secretly, you know pretty ordinary, and that she has this shameful love for pop music.  So, I loved that somebody who would rather pretend that she’s the girl with the dragon tattoo you know secretly knows all the lyrics to “Party in the USA.”

I enjoyed that.

anna-kendrick-pitch-perfectKENDRICK: I think that that was one of the things that I really wanted to do with her.  I thought if she comes across too cool, no one is going to like her.  They talked about this in Community with Britta, that people didn’t start to like Britta until they started to mess with her and show that she’s kind of an idiot.  You know that first half of the first season where she’s just supposed to be the cool, indignant one—no one’s going to like that character.  You can’t tell an audience to like a character.  And I think the best way to get the audience on someone’s side is to embarrass them.  Because we can look at that and we’ve all been there.  We’ve all been thinking that we were hot shit and then we kind of embarrassed ourselves.

And it’s also interesting because the first half of season one of Community is… It’s okay.

KENDRICK: And then it has to kind of let its freak flag fly.

Episode thirteen or so, fourteen, somewhere around there the show just figures itself out.  And then that’s just a fantastic show.  Speaking of TV shows and other movies, what do you watch that you’re like, “Oh my god if they called me I would be there tomorrow?”

KENDRICK: I mean, obviously so many.  I’m a little nervous about saying it to Collider, because I don’t frankly want to read an interview—a headline that’s like “Anna Kendrick’s desperate to be on blah blah blah.”

I give you my word I will not put it in the headline.

KENDRICK: I guess my silly dream is to be on Game of Thrones.  I don’t think that I can do that, but that’s my silly dream.  And there are a lot of American comedies, particularly on NBC, that I would, I would love to do.

Yeah, the Thursday night lineup?


They were filming—Ron Swanson was down the street from me yesterday, and I thought about bringing a pile of bacon, and just being like, “I need to hang out with Ron, please.” You know?

pitch-perfect-anna-kendrick-imageKENDRICK: He did an AMA that was amazing.

Yeah, he’s amazing.  I interviewed him once and it was like, I was so fucking happy.  He’s amazing.

KENDRICK: I’m in love with him.

Yeah, I am too.  I have a man crush.


After you see Homeland, I think you will also say Homeland.  I’m pretty confident on that.

KENDRICK: Okay, cool.

Obviously you prepare differently for every role.  In this one, how early on did they have you doing the rehearsals and figuring things out?

KENDRICK: Well, we had like a month of rehearsals and I actually showed up late for rehearsal because I was promoting 50/50 and probably shooting something.  I think I was probably shooting End of Watch, actually.  But I was nervous coming into it because a) I was late, and B) being the lead of the movie I wanted to show up and sort of prove myself and be good enough, and show the rest of the cast that I was going to be able to support them and I wasn’t going to be the dead weight that they had to carry.  So I really threw myself into the music and dance rehearsals.  So I’m glad that we had that time period to do it.  But, it was really just rehearsals.  In the press notes they were saying it was like a cappella boot camp, but no.  They taught us the music and they taught us the dancing. 

Is it rehearsals that are nine to five, or is more like four to five hours?

KENDRICK: Well, now I can’t remember, because everybody else is saying that it was like ten hour days.  But I don’t remember it being like that.  But I don’t know, maybe I was just in a time warp. 

When you’re doing rehearsals and getting ready, because there’s a lot of numbers in the movie, are you rehearsing all the numbers?  Or are you rehearsing “one number until we get it, then another number until we get it”?

anna-camp-anna-kendrick-pitch-perfectKENDRICK: Well, the finale number for us kept changing; which actually was really terrifying and really frustrating, because they just kept changing the music.  I mean, I’m sure they kept just trying to make it better and better, but it was obviously a frustrating, cyclical thing.  And so we would rehearse the first number, but by the end of the first week we knew the first number.  If it’s all you’re doing for a week, you know it.  And the finale number was really the bane of our existence for a while.  Because things kept changing and it felt like no matter how much you drilled it, some piece of old choreography would fall into the dance.  So it was tricky.

Let’s talk about The Breakfast Club.


The person sitting next to me at the screening, when Judd Nelson at the end raises his hand, the person next to me raised their hand.

KENDRICK: No kidding?

They were really into it.  It’s obviously an iconic movie, everyone loves it.  What’s your thing? Did you grow up with The Breakfast Club? Did you have—like how real is that emotion you’re showing in the movie?

KENDRICK: Well, I saw The Breakfast Club when I was a little older, like probably sometime between sixteen and eighteen.

But that’s like the right age for it.

KENDRICK: Yeah, I guess so.  I remember thinking… Because I saw it on TV and I didn’t know what I was watching really, until the end and then I was like, “Oh, that’s The Breakfast Club.” I don’t know, that happens sometimes.  Oh, and that happened to me also with Terms of Endearment.  Where, I finally watched Terms of Endearment and I was like, “This is unbelievably incredible.”  And then you think “Yes, Anna, of course it is.” Like, of course The Breakfast Club is amazing; everyone talks about it as being an iconic film, a game changer of a film.  But you see it and you want to go out and tell your friends, “I just saw this amazing movie.” But they all know about it.  So I didn’t have quite as visceral reaction as Beca does.

anna kendrick pitch perfectWas that always in the script, The Breakfast Club?

KENDRICK: No, it was Say Anything for a while.

Ah, there we go, these are both classic 80s movies.


Now, have you seen Say Anything?

[Long Pause]

That’s okay.  So it was better that is was The Breakfast Club in the movie.

KENDRICK: Yeah, I mean, obviously I would have watched Say Anything.  I’ve seen pieces of Say Anything.

I think Breakfast Club is actually a better fit.  Talk a little bit about the rest of the cast.  Off set, is this one of those movies where like everyone was hanging out?

KENDRICK: It was definitely a little gross how much we hung out.  Because we’re in Baton Rouge, Louisiana.

Oh, I know Baton Rouge.

KENDRICK: There was nothing to do.  So after work it was like, “Okay, where are we going?”  And for a lot of people it was one of, if not their first movie.  So all the girls and the boys in the singing groups were just like, “Okay guys, now what? Now where are we going?”  And for me sometimes I was like, “Home! I have another fourteen hour day tomorrow.”  So at a certain point I actually had to request to be put in the hotel across the street.  Because I was like, I need to sleep at a certain point and these kids can party.  And like I actually have to be responsible and get up in the morning.  You know, because they would have days off and they would be like, “Come on Kendrick!”  So I was kind of the party pooper of the group, I felt like a real old lady.

pitch perfect anna kendrickI can sort of understand.

KENDRICK: But I was in every scene.

If you speak to musicians, good musicians who go on tour for a long period of time.  As soon as they’re done with the meet and greet after the show, they’re at their hotel sleeping.  It’s a misconception that they can party every night because they’re doing another show the next night.

KENDRICK: I suppose if I were twenty and it was my first movie, I would have the energy to just give a hundred and ten percent every day and go out every night.  But, I don’t.  It was the seventh movie that I had made that year, so it was like…

You’re also front and center singing and dancing.

KENDRICK: Right, that was the other added thing.  I couldn’t get sick because I wanted to do as much as I could live.  So I didn’t have the option of getting sick.

Do you take home any props from all the things you do?

KENDRICK: I have a snow globe from this movie.  It was on a desk, I’m sure no one would ever see it.  But I sat and stared at it for several weeks and I was like, “Can I have this little snow globe?”  And they said yes.

As you mentioned, you have been in a lot of things in succession.  Do you want to keep going at this pace?

KENDRICK: I don’t think doing that much in one year was the best thing.  Nothing is worse to me than feeling like I wake up the next morning and I realize that there was a certain moment that I didn’t land because I wasn’t really there.  Or a moment where I was just being me, and I wasn’t being true to a character like Janet in End of Watch.  And that is so frustrating.  So I think over-tiring myself, or pushing myself this far was my limit, and I had to do this to learn what my boundaries are.  So, I don’t think that I could do that much again in one year.  But, at the same time I love working, I love working more than being at home so it’s hard.

I completely understand that.  Speaking of End of Watch, congratulations I think it’s going to be number one?

end-of-watch-jake-gyllen-haal-anna-kendrickKENDRICK: I’ve got my fingers crossed, yeah.  I didn’t know what was going to happen.  When we were making it I did not feel like it was a number one movie.  It didn’t feel like one of those movies that’s a blockbuster movie. 

But you know, the reaction at TIFF…

KENDRICK: So awesome.  So amazing. 

We spoke for, like, a second on camera about TIFF, but overall experience this year at TIFF was…?

KENDRICK: Was really good.  I’ve been absolutely spoiled rotten with the screenings of Up in the Air, 50/50 and End of Watch at TIFF because the audiences have gone crazy for the movies.  So I’ve definitely been spoiled.  And then I kind of had to do double duty at TIFF because I also went to see The Company You Keep.  I don’t have a big role in it, but obviously the premiere was there.  But then I got to see Seven Psychopaths, which kind of made the whole trip for me because getting to see somebody else’s thing kind of makes the whole trip worthwhile.  Because otherwise it just feels like it wasn’t even a film festival, it feels like you just were at work in a different city. 

Everyone I speak to, all the actors that go to promote, they all tell me they come in for like a day or two and then they’re gone.  And I always am like, “How can you not stay for an extra day or two and just see some of the movies?”

KENDRICK: Well, usually because they’re sending you off somewhere else to do press.

Oh, there you go.

pitch-perfect-anna-kendrick-bannerKENDRICK: I had to come back for the End of Watch premiere.  I didn’t have the choice to stay longer.

I will tell you that Cloud Atlas, kind of good.


Kind of good.  That was my favorite at the festival.  The Wachowskis.  I don’t know if you’re familiar with Cloud Atlas.

KENDRICK: I was reading everybody’s tweets after the first screening of Cloud Atlas.  I couldn’t believe my Twitter feed.  Everybody was saying, whether you love it or hate, it’s one of the most ambitious films they’ve ever seen.  So that’s enough for me, I’m sold.

Speaking of Twitter, are you addicted?  Describe the level of interest.

KENDRICK: Well, I didn’t tweet for, like, six months.  And then I just decided I don’t know why I’m being so precious about this.  What am I why am I not just spouting nonsense?  It’s Twitter for heaven’s sake.  So I’ve been actually doing it more than I ever have recently, and I’ve been trying to interact more.  Before this six month break, I really almost never replied to people.  And I was like, “What is wrong with me?” You know?  So I’ve been trying to read my @ replies.

Have you thought of taking questions?

KENDRICK: I don’t know, because the thing is I have a lot of young followers and I feel like it would turn into a press conference where I would have to be really diplomatic and really positive.  Because I don’t want to… I can’t really, really be myself, probably.  So I don’t know how much fun that would be.

You could also be selective.  You could also pick certain questions not to answer.  Just throwing that out there.

anna kendrick pitch perfectKENDRICK: But the fun thing about doing it for me, and I think the only interesting thing about it would be like to be myself and kind of be honest.  And knowing that I’ve got thousands of like, eleven-year-old followers, I don’t know if I would feel like I shouldn’t.  And then it’s not interesting for me or for the people asking questions. 

The other thing though, of course, is that everything you say on Twitter can be used in People Magazine or US Weekly.

KENDRICK: Well whatever I say anywhere.  Whatever I say in this interview can be pulled.  So I’m constantly playing this game in my head where I’m thinking, “Can this quote be pared down and misinterpreted?”  It doesn’t matter what outlet I’m talking to and how comprehensive the interview is, because I have to think in terms of, “Right, but People Magazine could just take this one quote and take it out of context.”

A hundred percent.  They quote me all the time.  It’s a real, real problem.  Especially when I start insulting people and stuff, it gets me in a lot of trouble.  My last question.  What are you getting ready to do next? What is your next ambitious undertaking?

KENDRICK: I have a couple things, I don’t know, that are sort of—I’m trying to think of another expression for “up in the air.”

Basically you have contracts that are offered that you have not signed.

KENDRICK: Yeah, I have things that are in development that I’m attached to and I’m excited about, but I’m a little superstitious about talking about.  Because I don’t want them to go away.

Or you know my site.  You know the way I work—headlines.

KENDRICK: Indeed. {}

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